Five New Artists That Are Going to Save Country Music

You know this old world is full of singers but just a few are chosen to tear your heart out when they sing… Who's gonna fill their shoes?  Who's gonna stand that tall?  Who's gonna play the Opry and the Wabash Cannonball?  Who's gonna give their heart and soul to get to me and you?
                                                     -"Who's Gonna Fill Their Shoes" George Jones

Since I left everyone on a gloomy note after my last post, I thought it would be nice to share a little hope and optimism in this one :)

So even though I have made it abundantly clear that I'm not a fan this new country/rap/pop craze going around, there are some new artists on the horizon that give me hope for the future of country music (and consequently, help me get out of bed each morning).  I don't necessarily believe that every one of these artists is going to have monstrous success on the radio, but I love each and every one of them for the simple reason that they don't conform; none of their styles are similar and none of their lyrics are the same… and that's what makes them great.    
(These are in no particular order)

1. Brett Eldredge

Ahh Brett Eldredge… where to begin?  If you've been listening to the radio at all in the last couple of months, I'm sure you've heard his #1 song, "Don't Ya" coming though your speakers.  On every station.  Every hour. On the hour.  All day.  Yet, even though it seemed like all of the DJs in country radio were having a secret competition amongst themselves called "Who can make their audience tired of this song the fastest?",  it didn't work because every single time this song comes on, my heart leaps and I always wind up singing that one really intense "that smile has got me spinning around!" at the top of my lungs.

I didn't know what to expect from his debut album, "Bring You Back" because I thought he could be in danger of having a CD full of drinking songs without any substance but I couldn't have been more presently surprised!  Brett managed to release an extremely impressive CD that is contemporary, fun, heartfelt, and heart wrenching all at the same time.  "Bring You Back" encompasses a surprising array of human emotions and he even brings back the classic technique of storytelling that has always been a trademark of country music but that has been strangely absent from country radio these days (see "Raymond" and "Signs").

On top of great lyrics and powerful arrangements, I venture to say that Brett has one of the strongest and most unique voices in country music today.  This combination is unstoppable and if you listen to his album, I hope it is clear why he earned a spot on this list.

2. Charlie Worsham

Charlie Worsham (1) has a hilarious last name and (2) fearlessly entered the country music scene with a timeless sound that made me want to cry from happiness the first time I heard it.  I first heard the beautiful opening lyrics to his debut single, "Could It Be", on Sirius XM and immediately stopped what I was doing to pay closer attention.  At first I thought that my radio must have switched to a classic country station because the chorus of "Could It Be" reminded me so much of the beautiful harmonies of Alabama that I couldn't let myself believe that it was playing on a new country station.  But, alas, dreams do come true :)

His debut album, "Rubberband", was released in August and each song stays true to the sound introduced in "Could It Be".  He does not have an extraordinarily powerful voice, but the arrangement of his songs compliments his softer voice and give his songs an intimacy that may not be felt if they were sung by other artists.  Like Brett Eldredge, he also shows off his storytelling skills in songs like "How I Learned to Pray" and "Love Don't Die Easy".  His song "Tools of the Trade" also features Vince Gill and Marty Stuart, which is a pretty impressive duo to have for an artist's first album.

              
3. Kacey Musgraves

I've already dedicated a blog post to the unbelievable wonder that is Kacey Musgraves but she deserves to be mentioned again because she has already been credited by music critics much more prestigious than myself as someone with the power and talent to open the door for other young artists with a more traditional country sound.  If my last blog post didn't inspire you to listen to "Same Trailer, Different Park", I am now BEGGING you to do it!  Even the Country Music Association agrees that she is 2013's best new artist :)

My bro and I with Kacey

4. Ashley Monroe

I vividly remember the first time I listened to "Like A Rose" because it completely shocked me- in a great way.  At that point, all I knew about Ashley was that she was a Pistol Annie which, in my mind, meant that I should expect a CD full of songs about angry ex-girlfriends plotting the murders of their cheating exes.  What I found, however, was a very traditional sounding CD full of sweet, genuine, and honest songs. What I hear in these songs is a young woman who has had to go through life's races at an earlier age than most, yet has come out of those trials singing a song of hope and love.  One of my favorite songs on the album is called "Used" and I think you'd be hard pressed to find someone who cannot relate to these lyrics: "This fragile heart has been passed around/been ignored and been let down… but I can give like I couldn't give before/ in the end I can love a whole lot more/used".  With the state of country radio as it is, I can't promise that Ashley will get a lot of air time with these songs but if you are looking country music with more vulnerability and beauty than most, Ashley is your girl.

                            

5. Lee Brice

Lee Brice really is a gift to country music for two reasons: his songwriting and his unbelievably strong voice.  Along with Brett Eldredge, Lee has the unique ability to make his voice raspy, powerful, and heartbreaking when needed but then turn around and make his voice as sweet and gentle as an angel (cheesy but true) during his songs' most intimate moments.  Lee didn't write every single song on his sophomore album, "Hard 2 Love", but here is a brief list of songs he's co-written that show why his songwriting abilities should never be questioned:

1. More Than A Memory- Garth Brooks……………..

2. Crazy Girl- Eli Young Band..……………………...

3. Still- Tim McGraw…………………………………

4. Not Every Man Lives- Jason Aldean………………

5. Only God Could Love You More- Jerrod Neimann

It was really hard for me to decide which two songs to link here but I chose "That Way Again" because the story in this song grabbed me at the first line and did not release me until the end (why am I being so cheesy today?).  It shows the side of love that is often ignored in music- the struggle to stay with the one you love after the 'honeymoon' phase is over and the sacrifices each must make in order to have a successful marriage.  I chose "One More Day" because it reveals the unglamorous side of life on the road and reminds us of the cost these musicians and their families pay so that we are able to receive the beautiful gift of live music.   

                                  
                                  

Why I Take Issue With Luke Bryan's New Single, "That's My Kind of Night" (and Why It Pains Me To Write This)

I love Luke Bryan.  I really do.  Just last month I was in the front row of his Dirt Road Diaries tour, rocking out like crazy with no attempt to act like a sane human being and having way too good of a time.  A few days ago, I heard that he was releasing a new single and eagerly waited with my ear glued to the radio all day until they played it...and then something awful happened.  They played it. (you can listen to his much anticipated song, "That's My Kinda Night" here: http://www.directlyrics.com/new-song-luke-bryan-thatrsquos-my-kind-of-night-news.html)  Here's pretty much how it went down:

The Anticipation

It begins. Strong pop beat is not promising.

"I got that real good, feel good stuff"

Around the time the T-Pain reference came

Reflecting.

Now it's catchy, ok?  There's no denying it and that one phrase "catch us up a little catfish dinner" has been popping into my brain at totally random times so I can see why Luke or his manager or record label or whoever decides which songs are to be released to radio chose to put this one out.  I mean, let's be honest, these energetic songs with a popish beat about how great the country life is while a hot girl passes them another beer have been doing tremendously well these past few years, as has country rap.  Considering the success of Luke's previous singles, "Crash My Party", "Kiss Tomorrow Goodbye", "Drunk on You", and "I Don't Want This Night To End", I guess it made sense to release another song where Luke kind of comes off as a weird mix between country boy and frat boy.  (Ok, this is getting harsh.  I do love Luke Bryan- I promise I do.  Just bear with me, here).

I think what upsets me the most about "That's My Kinda Night" is that I can't find any resemblance between the character in this song and the Luke Bryan we all fell in love with through songs like "Do I", "What Country Is", "Tackle Box", and "We Rode In Trucks".  Believe it or not, those last two songs are from an album called "I'll Stay Me"...  Oh the irony!

But do you want to know something that may shock you based on what I've said so far?  The rest of his new album, "Crash My Party" sounds pretty darn good.  "Dirt Road Diary" has been a crowd favorite for some time and the studio version sounds very promising.  So please don't walk away from this thinking that I believe Luke Bryan has completely morphed into an unrecognizable artist who is incapable of making genuinely good music anymore, because that couldn't be farther from the truth. He's still got a beautiful voice and a knack for songwriting that landed him a record deal within two months of moving to Nashville years ago.

If you'll allow me to now digress into a short rant about a lot of new country I would be much obliged.

It bothers me that all of these country singers with great CDs mostly full of heartfelt songs that tell great stories end up releasing cliché songs that we've all heard a million times.  In one of my favorite movies, Walk the Line, record producer, Sam Phillips, gives Johnny Cash one of the most beautiful and inspiring speeches ever:

 "If you was hit by a truck and you was lying out there in that gutter dying, and you had time to sing one song.  One song that people would remember before you're dirt. One song that would let God know how you felt about your time here on Earth. One song that would sum you up. You tellin' me that's the song you'd sing? That same Jimmy Davis tune we hear on the radio all day.... Or would you sing somethin' different. Somethin' real. Somethin' you felt. Cause I'm telling you right now, that's the kind of song people want to hear. That's the kind of song that truly saves people."   

Look, I'm not saying every song on country radio needs to be as intense and deeply emotional as the kind of song Sam Phillips is asking for here and I know that sometimes you just need a fun party
song to dance to but when did it become expected of country singers to release a love/heartache song 50% of the time and a drinking/country-is-better-than-you song the other 50% percent?
           For example,  some of you may remember how much I love Tim McGraw's CD "Two Lanes of Freedom".  It's fantastic. In fact, there are only two songs on that album that I am not crazy about because I think they're pretty reminiscent to every other song on the radio.  Take a wild guess which ones those are.  If you said "Truck Yeah" and "Southern Girl"  you'd be right on the money.  Guess which songs off of his album have been released as singles.  Yeah... see what I'm saying?

Eric Church expresses my feelings way better than I ever could in his song "Lotta Boot Left to Fill".  Just listen to the opening lyrics:
                                           Get ups, Gimics,
                                           One hit wonders that don't stick.
                                           Pretty boys actin' tough,
                                           boy bands, give it up.
                                           And if it looks good on TV,
                                           it'll look good on a CD.
                                          Shape it up, trim it down.
                                          Who gives a damn about how it sounds?

Ok thank you for letting me get that off my chest. I obviously had a lot of feelings.  But listen, please don't think that I despise songs like "Cruise" or "Boys 'Round Here' just because they don't have much substance. In fact, most days I really love them and I'll be the first to yell "Chew tobacco, chew tobacco, chew tobacco-spit!" whenever the opportunity arises.  I just wish those in the music industry would find the courage to release a song that is new, original, and unique because I truly believe there's a hunger for that among country fans.  Anyone smart enough to capitalize on that hunger may just find a nice spot carved out for them in the long history of country music.  

Chuck Wicks: A Star...Nearly

I've always been a huge fan of Chuck Wicks and I will be the first to say that he is highly underrated.

You may remember him from his 2007 top ten hit "Stealing Cinderella" or his not-so-successful stint on  the 8th season of Dancing With the Stars.

Hey, at least he tried.

Like most things in my life, it all started with Brad Paisley.  I got great tickets (thank you fan club membership) to Brad's show and wanted to make sure that I knew all of the opening acts. You know, to make sure I got the most out of my concert experience.  Chuck's name was on the ticket so I raced out to Target the week his CD was released and quickly fell in love with him his voice.  Chuck not making it huge in country music doesn't really add up:

            He writes his own songs with lyrics we haven't heard a million times.
            He's good-looking.
            He has a beautiful voice.
            He's super good-looking.
            He uses a unique mix of Country, R&B, and Soul.
            He's ridiculously good-looking.

So here's my prediction:  I don't think we've heard the last of Chuck Wicks.  His new EP "Rough" is even better than his debut album and if his new music is any indication of where his careers heading, he will have another radio hit.  Guaranteed.  It may not be this month; it may not be this year but Chuck is coming back with a fire and determination that will that eventually get him to the top of the country charts.  

To give you a taste of what Chuck is all about, go listen to one of his new songs called "Always".  It's a very powerful song that will make you ache, even though the lyrics are pretty upbeat.

http://www.youtube.com/watch?v=sFcTWO__loc

"Fix Me" is also amazing:

As is "What if You Stay"

 
                                                 

Graduation and Goodbyes: "Those I've Loved" by Eric Church

While I was attending my school's graduation this past week it hit me: Next year that's going to be me.  I'm going to be the one walking across stage to receive my (somewhat) well-deserved diploma, the one crying unashamed as I say goodbye to my friends, and the leaving home to brave this world on my own.

After I realized this I almost ran home, hid under my covers, and cried thought about all of the people who have supported me through the years and made me the person I am today.  I remembered the song "Those I've Loved" by Eric Church and I suddenly wanted everyone I've ever known to listen to this song and know that I would not be who I am without them.  Heck, even the people I didn't really love, like the girls that were mean to me in middle school, helped to shape my life.  I guess it just goes to show you that everything truly does happen for a reason and God deliberately puts people in your life that will help you grow as an individual.

Maybe there are people in your life that you simply cannot stand or that annoy you to no end.  Today instead of cursing them under your breath or gossiping about them with friends, try thanking God for putting them in life (then ask him for patience when dealing with them). Because who knows? Maybe they'll help you become the person God wants you to be.  

A Milestone for Women: "Once a Day" by Connie Smith

I'm sorry, guys.  I offer my deepest, heartfelt apologies for my inexplicable absence these past few weeks.  I'm not quite sure how time got so far away from me but I'm thinking that if I blow these next few blog posts out of the water this whole fiasco will be forgivable in time.  Ok, here we go :)

You know that paid program that advertises a box set of country songs from the '50s and '60s and plays like 24 hours a day?  It draws you in by showing up as "Johnny Cash, Hank Williams, and more" on your TV guide and you click on it excitedly thinking that it is a TV special on their lives or their music, only to find that it is actually just an advertisement (let's just pretend like I'm not the only one who gets fooled into clicking on paid programs).

Look familiar?

          Even though half of me had this unjustified resentment toward the program, the other half really wanted the CDs they were advertising.  Lo and behold, my wonderful parents bought me the set for my birthday and I discovered some amazing country music.  One of my favorite songs in the collection is "Once a Day" by Connie Smith.  The song stuck out to me because of the uniquely country lyrics in the chorus ("The only time I wish you weren't gone is once a day, everyday, all day long"); they are quirky, clever, and sad.  What more could you want in a country song?

I didn't realize until later how important this song is to the history of country music.  It was written for Connie by Whisperin' Bill Anderson, a legendary songwriter who has written modern hits such as "Give It Away" for George Strait and "Whiskey Lullaby" for Brad Paisley and Allison Kraus, and was the first ever debut single by a female to reach No.1.  Pretty impressive stuff.  For 48 years it also held the record for the country record with the most weeks spent at No.1 (for a female).  Taylor Swift broke this record last December when "We Are Never Ever Ever Getting Back Together" stayed at the No.1 position one week longer than "Once a Day" (Whether or not "We Are Never Ever Getting Back Together" should even be considered a country song is a discussion for a different day, I suppose).

Remember, we're talking about 1964 here.  Record companies still didn't totally buy the idea that women could be just as successful as men and women had to fight hard for respect in the music industry.  "Once a Day" was influential in breaking down these boundaries and helped pave the way for the female singers we love today.                        

  

  

Country Music's Favorite Couple: "Better in the Long Run" by Blake Shelton and Miranda Lambert

This morning I woke up to my local country station and heard some super exciting news.  MIRANDA LAMBERT IS PREGNANT!  I shot up in bed and turned up the station only to hear them follow up this announcement by saying that there is some speculation over the legitimacy of these claims.  They then said that the true announcement should be 'Miranda Lambert might be pregnant'.

Well, dagum.

After a quick google search, I concluded that Miranda isn't pregnant, yet the mystery continued when I stopped into Target and saw Blake and Miranda smiling on a big old magazine with the caption "Baby Bliss" under their beautiful faces.

It seems like rumors of these two expecting a kid have been randomly showing up every other month since they got married and I really don't know what to believe this time round.  However, regardless of whether or not they're going to have a baby soon, I think everyone can agree that these two are perfect together in almost every way.  They look adorable together but even more importantly, they sound great together.

Awww

I have to say, I'm surprised by how few Blake/Miranda duets there are considering that they must have jam sessions, like, all the time.  Now, of course I'm not saying that they never sing together.  They'll sing background vocals on each other's songs, like Miranda does for Blake in his cover of "Home" and who could forget their great live performance of "You're the Reason God Made Oklahoma" way back in 2005.  But they've only officially recorded two duets in the studio and, unsurprisingly, they are fantastic!

They recorded "Draggin' The River" in 2010 (before they were married) for Blake's album "All About Tonight", a very light-hearted song that is slightly reminiscent to Johnny Cash and June Carter's playful duet,  "Long-Legged Guitar Pickin' Man".  But the real magic comes from their 2011 performance of "Better in the Long Run".  It's one of those songs that you want to listen to again as soon as you finish it the first time and their voices blend perfectly.  Surprisingly, neither Blake nor Miranda, two exceptional songwriters, didn't write the song.  It was actually written by Charles Kelley of Lady Antebellum (yes, the attractive one) and Ashley Monroe of the Pistol Annies (ADD Moment:  I would LOVE to hear Charles and Ashely sing this song together) .  Regardless of who wrote it, Blake and Miranda make it their own and pour their hearts into this song.  Hmmm could this possibly be Miranda's next single??

Fiercer Than Miranda Lambert: "Stupid" by Kacey Musgraves

Kacey Musgraves is one of the best things to happen to country music in a while.  This is a bold statement, I know, but it's true.  What's great about Kacey is her incredible songwriting ability.  I am a sucker for singer/songwriters and  she truly has a rare talent.  If you've been keeping with the weekly drama unfolding on the show 'Nashville' you might remember a song that Juliette and Deacon "wrote" together called 'Undermine'.  This song was actually written by Kacey and you can see her performance of the song here if you'd like:

She also wrote Miranda Lambert's current hit "Mama's Broken Heart", a song full of angst that is well on its way to becoming a #1 song for Miranda.

  Knowing how good of a songwriter she is and loving her first single "Merry Go Round", I was really looking forward to her album.  But I was also a little nervous about it because of an incident that occurred only a few months earlier that changed me in a very deep and profound way...

There was an artist (whom shall remain nameless) not too long ago who released a song to country radio that I adored for the same reasons I love "Merry Go Round".  It was honest, personal, and most importantly, it had a very different feel from any other country song on the radio.  I was on fire for this artist. I sang his praises for months before his album was released, telling people grand stories about how he was going to change modern country as we know it and usher in a wave of new, unique artists with strong musical convictions (I tend to get carried away with things).  I was living in a beautiful fantasy world until.... this person's debut album was released. To say the least I was disappointed by it and the pedestal I had built for this person along with the imaginary world I had created came crashing down.

 I walked away from that album.... wiser.

I was determined not to make the same mistake with Kacey and tried not to let myself get too excited for her CD's release.  Fortunately, she came through for me :)  I adore her album and really respect the acoustic/folksy country feel she has, which shines through in adorable songs like "My House" and cheeky songs like "Step Off" and "Blowin' Smoke".  But if you're looking for something a bit edgier, you should listen to "Stupid".  It's prominent drum kick is contagious and the beat immediately pulls you into the song.  There's a dark tone to the song but it isn't your average my-boyfriend-was-a-jerk-and-now-I'm-going-to-disgrace-him-in-front-of-the-whole-world kind of song because Kacey's frustration is aimed both at a man and herself.  Much like in "Merry Go Round" Kacey uses repetition and simplicity extremely well in the catchphrase of the song, "Stupid love is stupid/Don't know why we always do it."  Notice the use of we not you.

Which brings up another reason to love Kacey.  Her songs are unashamedly honest.  She'll write about mistakes other people have made, but also about mistakes she's made.  I really hope after you listen to "Stupid" you listen to the rest of her CD because it is fantastic.  Dare I say, it's the best all around country album I've heard in a long time.  Wow, that was really bold too...

    

The Song that Changed Music Forever: "That's All Right" by Elvis Presley

Before we really get going with this blog thing, I should probably warn everybody that I am a huge Elvis fan.   Please, please, please tell me that you didn’t just picture a middle aged man in a white jumpsuit who may or may not have (but definitely did) eat one too many peanut butter and banana sandwiches.  Well, I guess I can’t be too upset if that’s what you pictured because that’s what I thought before I actually started listening to him.  That's when I discovered how much more there is to Elvis and his music than the stereotypical Elvis-like character you see walking around Vegas these days.  I’m not quite sure how I evolved into such an Elvis fan, but before I could stop myself I was obsessed. Vinyls. Movies.  Sweatshirts. The whole nine yards.

Now, you may be wondering how a man deemed the King of Rock n’ Roll fits into a blog about country music.  Well, Elvis was born and raised in the south and started his career singing rockabilly music in a struggling recording studio called Sun Records in Memphis, Tennessee.  In the early 1950s, when Elvis was still a teenager, he went into Sun Records a couple times to make a record for his mama’s birthday.  While he was there the owner of the record label, Sam Phillips (who also discovered Johnny Cash, Roy Orbison, and Jerry Lee Lewis- yeah, he’s pretty awesome), told Elvis that he was an “interesting” singer and told him that he might call him sometime to make a record. 

When Elvis was finally called back a year later (in 1954, I believe) he went in there with his little beaten up guitar and started singing every song he knew for Phillips.  Unfortunately, nothing was really working out too well and Phillips thought he had made a mistake in asking Elvis to come in that day.  He told Elvis and the two other band members with him (Bill Black and Scotty Moore) to take a break, hoping that they would do better after the break.

 Here’s where the story gets good. 

Elvis started messing around during the break and began to play an old song from the ‘40s called “That’s All Right”, except he didn’t use the original arrangement of the song.  He played it faster and added a lot of energy to the song.  As Scotty Moore recounts. “All of a sudden Elvis just started singing this song, jumping and acting the fool, and then Bill picked up his bass and he started acting the fool, too, and I started playing with them”.  The song was very different from anything Phillips had heard before and he knew that it was the sound he had been searching for.  The sound that he knew had been in Elvis all along; all he needed was the right song to let it rip.  Knowing that he had struck gold, Sam Phillips quickly turned on the recorder and told them to repeat what they had just done.  That’s the recording you’ll hear now and the recording that jumpstarted the career of arguably the greatest entertainer of all time.  And guess what?  Because of Elvis’ unique blend of blues, country, and gospel in “That’s All Right”, he was billed as “the freshest, newest voice in country music”.   

  

A Celebration of Joy and Pain: "Officially Alive" by Brad Paisley

Let me just say how huge of a fan I am of Brad Paisley.  I can’t remember a time in my life when I didn’t listen to his music and I've seen him in concert more times than I can count.  Believe it or not, last year I saw his Camobunga tour three times.  Yes, the same show three different times and I was blown away by it every single time.  When I was in 6^th grade my incredible uncle surprised me and got me a backstage pass to meet Brad after one of his shows. 

It. Was. Incredible.

The highlight of my life thus far?  Why yes.  Yes, it was.  

I know I look heinous, but in my defense I didn't know I was going to meet him :)

Brad was such a gentleman and my love for him and his music was amplified that day.  As the years have gone by I’ve enjoyed hearing the evolution of Brad’s music and have been anticipating his new album, "Wheelhouse" for quite some time.  It came out on Tuesday and I raced to Crackerbarrel after school to pick up my copy.  Brad's been receiving some heat for this album but I honestly believe that it is one of his greatest records to date.  All recording was done at his home in Franklin, Tennessee and it is obvious that he poured his heart and soul into these songs.  Heck, he was involved in basically every aspect of creating the album.  He wrote, played, sang, and produced the album.  

Some people are really opposed to this album which upsets me but it seems like Brad is totally cool with it.  He even predicted it.  In the booklet of his album Brad says "This record is the sound of an old farmhouse.  It is the sound of 7 band members creating, collaborating, fighting, and high-fiving.  It is a digital journal of the shattering of comfort zones and collateral magic.  It is the sound of creaky old floorboards, screen doors, and immutable songwriting minds opening.  We only had one rule with this record: To throw out the rules... When we began, I hung a sign above the door : This place on earth,  This moment in time, has never been recorded before and will never happen again.  Now as it leaves our house and finds its way to yours, I can't wait to see what you think.  This album may not be for everyone but I hope it is for you". 

As you've probably guessed, I would recommend any of his songs from "Wheelhouse" but the one that stuck out to me the most when I first listened to the album is the last track called  "Officially Alive".  It will immediately give you an optimistic view on whatever is bothering you and is perfect to listen to on a bad day.  Brad says that we should celebrate those moments in life where we experience unbridled enthusiasm* or even when we experience intense pain because those are the moments that make us human.  Once you've experienced a wide range of emotions, you know that you've really lived.  You've taken chances and haven't let fear hold you back from enjoying life- even if some of those chances didn't pan out the way you had hoped.  Also, the last verse about holding his kids for the very first time is adorable.  

*Shout out to hard core Seinfeld fans who picked up on that reference

The Greatest Love Story Ever Told: "New Again" by Brad Paisley and Sara Evans

I'm laying awake on this Easter night thinking of Jesus' sacrifice and the meaning behind Easter.  There is a song I listen to every Easter that reminds me of Jesus' love and helps me not get too caught up in the commercial side of Easter that I thought I should share.  It's called "New Again" by Brad Paisley and Sara Evans and is one of the most moving songs I have ever heard due to the innocence of Sara's voice and the love in Brad's voice.  What really gets me about this song is the love evident in Mary/Jesus' relationship.  It's sung in a very unique way and it's extremely powerful to hear the points of view of both Jesus and Mary.  I hope you enjoy this song as much as I do.

Happy Easter.

(P.S: Brad and Sara wrote this song together.  Pretty impressive.)
  

Reinforcing My Love For Country: "Annie, I Owe You A Dance" by Tim McGraw

This guy just keeps getting better.  Tim McGraw is having a major comeback and I LOVE IT.  His latest CD, Two Lanes of Freedom, is one of the best country albums I’ve heard in a while, but I’ll admit that I was apprehensive about it at first.  To be completely honest, I died a little bit inside when I heard “Truck Yeah” for the first time.  Now, it’s grown on me a bit since then, but my first listen was not pretty.  Snippets of some of Tim’s earlier and incredible songs (i.e. “The Cowboy In Me”, “Drugs or Jesus”, “I’ve Got Friends That Do”) kept playing over and over in my head as I heard "Truck Yeah" and a horrible feeling of dread came over me as I tried to accept that the old Tim we all know and love might forever be a thing of the past. 

Then he released “One of Those Nights” and an old forgotten feeling of hope started to creep up inside of me.  Yet, I still didn’t let myself believe that Tim’s new stuff could rival his past hits.  

But then something glorious happened.  

Tim released Two Lanes of Freedom and busted back into the New Country scene with vengeance.  I’m telling ya, this CD is rockin’.  Between the beautiful ballads, a collaboration with Taylor Swift AND Keith Urban, fantastic story telling, and just some fun, roll-down-your-windows-and-jam songs, Tim has totally stepped up his game.  And it’s awesome.    

 One of my favorite songs from this album is “Annie I Owe You A Dance”.  If I ever forget why I love country music, I’ll just listen to this song and be reminded of how unique and honest the genre is.  It starts off with just Tim and a piano, which is sort of rare for a country song and tells a really cute story that may not make you cry, but will probably garner some sort of sad smile by the time he says, “Annie, thanks for the dance”.  It’s definitely bitter sweet but in the best possible way.

 Thank you for this beautiful piece of art, Tim.